Showing posts with label Writing Process. Show all posts
Showing posts with label Writing Process. Show all posts

Friday, August 14, 2020

TRAINING BEATS FEAR OF FIGHTING

I found blog partner Kathy Fawcett’s latest post about the choice of whether to fight back in real life and the use of violence in our fiction presented some fascinating questions. I thought about commenting, but, as often happens, I had so much to say I thought I’d just keep the conversation going with another post.

Like Kathy, I’ve studied martial arts and self-defense for many years, reaching an advanced black belt rank in two disciplines. I started my study of Isshinryu karate (a traditional Okinawan style) over 25 years ago because I wanted to know how to make the fight scenes in my novels more realistic. Once I got into class, I discovered I really liked learning the history, the techniques, and the choreographed moves of martial arts. And, it turned out, the application of the moves to self-defense was my favorite aspect of what I was learning (and, later, teaching).

I noticed right away that women and girls in martial arts start at a disadvantage in one area. Even in this day and age, we are taught from the time we are small that using physical force to stand up for ourselves is “bad.” We’re not supposed to hit, or wrestle, or push, or yell. It’s not “nice” or “ladylike” to compete in any way physically, especially with boys. Sometimes this message is overt, especially in more traditional homes, but more often it’s subtle, enforced by the children themselves. Ladies, if, as a child, you ever stood on the sidelines of a game of baseball or basketball played by a group of boys, waiting in vain to be asked to join, you know what I mean.

Despite the advances of Title IX in women’s athletics and all the work of feminism, we still see the impact of this in the karate dojo (practice hall). From the youngest to the oldest beginners, females are still reluctant to engage physically with an opponent. Like the woman in Kathy’s example, who feared she would not be able to harm “another woman’s son” who was attacking her, these karate students hold back when punching or kicking, even when the target is just a pad or a bag. They hesitate to grab hold of their partners’ wrists in practicing self-defense for fear of “hurting” them. They say “sorry!” when they land a solid blow in sparring, when they should be grinning in triumph.

Our first task with these women and girls is to train the conditioning out of them that prevents them from defending themselves. We have to remove that false image of themselves as “nice, ladylike,” fragile little things and replace it with a better sense of themselves as strong, fierce, capable fighters. Strong, capable fighters will defend themselves if necessary. And never give up. 

Now this karate student is NOT lacking self-confidence!

It’s vital for us to believe in ourselves and develop that inner confidence. You’ve heard the saying, it’s not the size of the dog in the fight, it’s the size of the fight in the dog? Nowhere is that truer than in martial arts and self-defense. Bruce Lee, who was a legitimate martial arts legend in addition to his talent for self-promotion on the big screen, stood at a mere 5’2” and had one leg shorter than the other. His size didn’t stop him from defeating opponents much larger than he was. He just never doubted that he would win. 

If you travel through the world with that kind of confidence, you never have to demonstrate your martial skills. No one wants to mess with someone who is in command of her fear, who pays attention to her surroundings, who moves with assurance. The right kind of training can give you that, no matter where you started.

In answer to Kathy’s question, of course I would answer, yes, I wouldn’t hesitate to fight if necessary. That’s the answer I would hope all my students would give, too. But because we’ve trained and developed a confident attitude, I would also hope we would never have to use what we’ve learned.

As for my fiction, my heroes and heroines are all scrappers, even if they have no formal training. They often face circumstances in which they must defend themselves physically—and they rise to the occasion. I try to make my fight scenes realistic, but they aren’t brutal or sadistic. (After all, you try throwing a few punches and see how long you last. Fifteen-minute fight scenes aren’t real.)  And I don’t go for torture porn, either in my own writing or in my reading or watching preferences.

Anyway, thanks for the inspiration, Kathy!

Cheers, Donna

 


 

Thursday, June 22, 2017

Don't forget to back up


The importance of backing up your files cannot be over emphasized. You've all heard it - and I'll bet you've all suffered the consequences of not doing so. These days, it's a lot easier to backup your work because it's easy to save your files to online storage, and synchronize it across several of your own devices. I use Dropbox for any project I'm working on now. Apart from anything else, it's easy to share your work with other people via that system - or quite a few others. Windows 10 comes with Microsoft's own OneDrive, and in fact it defaults to saving documents there. I don't use OneDrive.
Seems to me Microsoft knows enough about me already, even though I turned off all the options to send stuff to Microsoft to 'improve your experience'. But that's another story.

It's pretty easy to restore a file from DropBox. The free software saves versions of your files for 30 days, and usually that's long enough if you have a system failure or something. You'll need to login to your Dropbox account and find deleted files. From there it's straight forward. If you accidentally delete a file, you can recover that, too. If it was on your hard drive, look in the recycle bin and recover it. If it was (say) a photo on an SD card or thumb drive, it won't be in the recycle bin, but it can be recovered. I deleted all the photos on an SD card recently, and recovered them. I described the process in detail here, so I won't repeat it.

So far, we've been talking about lost files. But there's another use for backup.

I'm working on a new project, and I'm about eleven thousand words in. But now I've decided I shouldn't have changed one of the early scenes. The story is coalescing in my mind, and the 'yes but' questions are bubbling to the surface. The changes I made don't work, so I want to go back to how the scene was written a number of days ago. I could restore the file to that date from Dropbox, but then I'd lose my current work. I could open an earlier version in Dropbox and find my deleted scene that way - but that means logging in to Dropbox, and if that version is more than 30 days old - it's gone.

When I start a new project I immediately create a file imaginatively entitled 'backup' under the project. Every day when I start work, before I do anything else, I copy my current file to backup and rename it with the date. eg WIP.docx is saved in backup as 170622 WIP.docx (ie yymmdd to keep the list in date order).

Later today I'm going to open the WIP from several days ago, copy the scene I want, and paste it into the current WIP. And since the project is in Dropbox, so are the backups - for double just in case.

For those interested in the project itself, the new book, currently titled 'Dryden 5', is set in the Dryden Universe, and kind of follows on from The Demon's Eye. It stars the same main characters, Tian Axmar and Brent Walker, with a solid supporting role for Admiral Ul-Mellor. It'll be done some time later this year.

And since Pip shows pictures of her chooks, maybe I can show pictures of my wild bird family. Just for something pretty to look at.



Wednesday, March 26, 2014

Writing Process Blog Hop - Pippa's Journal

So, on Monday Laurie posted her four answers about her writing process as part of a special blog hop, and now it's my turn. Bwahahaaa! :P I was invited to take part by Laurie A. Green - three-time RWA® Golden Heart® finalist and science fiction romance enthusiast who founded the SFR Brigade community of writers, which now totals over 300 members.

What am I working on? Right now I'm absolutely drowning in edits. And mostly on a super secret project. If I told you about that I'd have to kill you. Or at least hold you prisoner until it's done. All I can tell you is it's a SciFi romance novel that I'm planning to self publish, and hopefully the first of five. I also have pre-edits on two novellas. One is a SciFi romance with a succubi-like assassin forced to impersonate her sister clone to negotiate a tricky intergalactic treaty with an alien race that despises humanity. The other is a YA paranormal story with zombies, set in Louisiana. The last is totally out of my comfort zone, but I feel trying new genres/methods etc is a good way to challenge yourself and keep it fresh. I'm also releasing a cyberpunk short story on Monday and I'm waiting on edits for a paranormal short I'm releasing in October.

How does my work differ from others of its genre? Well, I like to blend other genres into one another, or at least different elements. And I try to put odd twists in too. A touch of fantasy and paranormal into my SciFi. Underused mythical creatures. Redefining well known monsters. I also try to hit people with an ending they might not expect. There's nothing I love more than a twist that has people wondering what the heck I just did to them. Bwahahaa!

Why do I write what I do? They say write the story you want to read, so I did. Repeatedly. I don't try to write to a trend or what's hot right now. Just the story that's in my head. That's what makes me happy and why I write at all. Sometimes it takes me to somewhere completely different and leaves me doubting my sanity... Mostly scifi because that's the genre I love most, although I've now written two paranormal pieces. But give me a lightsaber over a wand any day.

Finally, how does my writing process work? It's pretty chaotic, but it works for me. I don't plot and I don't write linearly. That probably sounds like a disaster, but that's how my mind works. I have one or more scenes in my head that I write down - often that is or includes the opening scene, but not always. Those are the bones of my story. Then I go back and join them up. This can mean by the end I have to chop sections out and move them around (I once had to print off a story and literally take a pair of scissors to it, then stick it back together to be sure the timeline wasn't messed up!) but as yet I've never had someone throw a story back as too confusing.

Next up on the blog, the awesome Donna S. Frelick - Romance at the Edge of Space and Time

Monday, March 24, 2014

Writing Process Blog Hop

Today I'm participating in a Writing Process Blog Hop. I was invited to the dance by the wonderful Arlene Hittle, a fellow Starcatcher/2011 Golden Heart finalist, author of a baseball romance series including Beauty and the Ballplayer and Diva in the Dugout (luvluvluv those titles). As a matter of fact, I believe Beauty just released last Thursday from Turquoise Press. Congratulations, Arlene! Arlene blogs on her web site. That link should take you directly to her Writing Process Blog Hop post.

So on with the Hop! I have some questions to answer.

What am I working on?

Right now, I'm developing three short stories--all Science Fiction Romance (but of course). All are related to my Draxian Universe series, although the threads are a bit nebulous. One takes place 50,000 years in the future, one a mere 1,500 years after the final book, and the last just a few decades after the close of the final book in the six book series.

The first is titled The Shell and The Star, about two individuals from different sides of an environmental catastrophe who must face the truth about their roots even in the face of exile by their peer races. I call it an Evolutionary Romeo and Juliet.

The second is Silo 9, and it's about one of a handful of breadbasket planets--called Silos--that are dedicated to growing enough food for a human race in the midst of a population explosion. When an alien species threatens to overrun Silo 9, the planetary General Manager and a female General Officer engage in a desperate power struggle over the defense of Silo 9 against an alien swarm bent on destroying it. (And, darn it, I'm going to have to find a new title due to the WOOL series having a related novel called Silo 49).


The last is Farewell Andromeda, about Captain Tijarra  Bell, an independent deep space pilot and the famous astronomer she encounters on Andromeda Station, a remote outpost/observatory on the edge of the Milky Way Galaxy. She soon learns Dr. Dante Drake is often not the man he portrays himself to be, and the root of that secret will cause her to make choices--reckless choices--she swore she'd never make.

All three stories share a theme of Romance Against All Odds.

How does my work differ from others of its genre?

If we're talking about Romance as a whole, the Science Fiction part of the equation makes my work very different from most of my other peers'. SFR requires an element of technology--or the sciences--to be interwoven in the plot and contribute a crucial component to the romantic elements. All the parts have to contribute to the whole, it can't simply be a romance with futuristic window-dressing.

As far as how my work is different than my SFR peers? That's a little tougher to explain, but I think it's that although my stories that are set in the future, all are based on a single "What If..." from the distant past. That in itself is hardly an unusual concept in SF or SFR, but what each author does with it and the spin we put on it is what steers SFR away from any danger of falling into a cookie-cutter scenario. SFR is all about imaginative storytelling, and ranging from Space Opera to Steampunk to Apocalyptic Romance, it's probably one of the most diverse genres in the romance cosmos.

Why do I write what I do?

I've always been fascinated by the stars, by the allure of space, by the excitement of space exploration and maybe at the heart of it all, the spirit of discovery and adventure. When I wrote the introduction for my web site, I dug deep to examine the real root of that question and this is how I summarized it:

Ever since I was very young, I’ve been spellbound by the mystery of space. On warm summer nights I would lie on my back in the cool grass and stare up at the star-sprinkled eternity with a deep sense of wonder. I’d ponder the shadows of the Moon. Hold my breath in awe at the brilliance of a shooting star. Be captivated by the slow dance of the constellations across the heavens. I’d ask myself, what’s out there? What discoveries? What adventures? What surprises?

I’ve always longed to go seek out those answers. But I knew, too, that the universe could be an empty, lonely place, if we made the trek alone. Every journey is as much about who we take with us as what we find. There is as much to discover in each other as there is among a trillion stars. Exploration is truly a journey of the heart as well as the mind.

This is the soul of my work. Whether the story is set on a distant Goldilocks planet, an alternate present or a troubling future, it is as much about the unstoppable power of love as it is about the paradoxes of time and space.

Finally, how does my writing process work?

I call it Chaos Theory. I'm an extreme pantser. A story starts in my head, generally with the seed of an idea. Maybe something I dream, or observe, or read starts taking shape in my thoughts. That idea expands and characters manifest who are active participants in The Idea. By the time I type out the first words, I  have a pretty good plan in my head where the story is going and what it's about.

I can't outline. It simply kills my creative process. Once upon a time I wrote scenes and passages of dialogue and basic plot elements in the order that inspiration hit me, and then strung them all together by writing bridge scenes. That method often resulted in writing myself into corners.

I've gotten more disciplined in recent years after attending workshops and talking to other writers about their process (a nod to my fabulous cobloggers, as well as Robin Perini, Lisa Shearin, and Paula Paul, whose ideas helped me create something that at least resembles an orderly writing process). Now I try to write the blurb and synopsis early on to help me nail down the direction and theme, then I write (more or less) chronologically. As the Ghosts of  Future Scenes pop up, I jot them down them down as "loose notes" on anything handy at the moment--notebook, sticky note, cocktail napkin, page ripped out of my checkbook register--and collect all these little pieces in a Loose Notes file. When I reach that part of the story--voila!--I read through my notes to re-spark the inspiration for the scene. Capturing those powerful ideas at the moment of inspiration is important because it's often a fleeting state of mind.

Thanks for tuning in to my Writing Process Blog Hop.

Following me to talk about their own writing processes will be my multi-talented co-bloggers:

Pippa Jay - Author of Science Fiction with a Romantic Soul

Donna S. Frelick - Romance at the Edge of Space and Time