Showing posts with label Neil Armstrong. Show all posts
Showing posts with label Neil Armstrong. Show all posts

Thursday, February 21, 2019

First Man - it's not really about the moon landing


It seems these days when it comes to movies I either watch SF, documentaries, or historicals. This time it was kind of a combination of all three. Not exactly SF. Science Fact. I'd bought the DVD of First Man, a look at the life and times of Neil Armstrong as it fitted into the manned space program.

Of course, the Gemini and Apollo space programs were vital arcs in the movie – but it's not about the moon landing, it's about the man. The director tries to get inside him, see what made him tick. The loss of his daughter, Karen, to cancer at the age of three is shown as a vital part of his psyche. His wife, Janet, played an anchor role in keeping the family – Neil and their two young sons – together.

Some people thought this was an edge of your seat movie experience. It wasn't for me and I'll even admit to saying to my husband at one stage that I was bored. Kind of 'let's stop with the happy families and get in some more space time'. But I suspect that was me being churlish.

I think Neil Armstrong would have been a difficult man to get to know, let alone like. He is portrayed as very much a loner, not prepared to discuss his feelings with anybody. He was cool in a crisis, able to improvise to get results and from that point of view, after his heroics on Gemini 8, he was absolutely the best man for the job of piloting the lander in the Apollo 11 mission.

The whole movie also made it clear the extent to which NASA was driving the president's promise (we will land a man on the moon in this decade) by the seat of their pants, always one step behind the Russians. As Janet says (and I'm paraphrasing) "you pretend you know what you're doing but you're like a bunch of kids playing with a balsa wood plane and an elastic band". And she was right. Three astronauts died on the launch pad in Apollo 1. Others died in plane crashes. Death was always just one mistake away. One of the most powerful scenes for me is when Neil has been selected as command pilot for Apollo 11. Janet MAKES him go and talk to his two sons, makes him tell them that he might not come home.

That's how it was for all the astronauts' families.

The mon landing itself takes up the last few minutes of the movie. Basically it's not what the movie is about.

Here's a bit of background from somebody who's old enough to remember the space race and what it meant to the Western World.

I was 18 when Apollo 11 left for the moon, in my second year of a BA degree in history. Like many of my colleagues, I stayed home to watch history being made. The whole western world quivered with excitement. President Kennedy’s goal of a man on the moon within a decade was about to be fulfilled. We’d seen the dark side of the moon from Apollo 10 (and the Russian probes, but we won’t go there). And now it was all about to happen. You’ve all seen the pictures as the three men in their bulky suits took their last walk to the tiny, tiny module on the top of the Saturn V rocket. So did we, on CRT TVs.

Now was the day, morning in Perth, Australia, and I sat on the edge of my seat in the lounge room, eyes glued on the TV while on the other side of Australia the signals came in to Parkes. We never knew, of course, that Armstrong had taken over landing the module himself, looking for a flat piece of Moon. Never knew he had 30 seconds of fuel left. That came out later. I peered at grainy black-and-white footage. First, the lander’s leg resolved itself and then you could just make out the ladder. Then a boot appeared and Armstrong eased his body down onto an unknown surface and uttered his famous words, ‘that’s one small step for man, one giant leap for mankind’. Even then I wondered how long he’d been rehearsing; and who had written it for him. Here’s the footage

The next few days went by in a blur of extra-terrestrial shots of footprints on an ancient landscape, attempts to raise a US flag fitted with an arm because there was no wind, the famous photo of the moon reflected in a visor. Buzz Aldrin and Neil Armstrong cavorted like a couple of kids in the weak gravity, while Collins stayed up there in the capsule. I held my breath on that final day when they blasted off to dock with the capsule and cheered when they splashed down in the Pacific.

It was years later before we all began to realise how dangerous the whole thing had been. These men were pawns in a race with the USSR – which had its own pawns, of course. NASA took a lot of risks and I’ll bet Mission Control had its fingers crossed many a time. What happened on Apollo 13 is a case in point. If you don’t know, go see the excellent movie of the same name, starring Tom Hanks. So the USA won the race. But interest waned quickly; the last manned flight, Apollo 17, was in 1972 and we don’t look like going back any time soon.

I suspect when 'we' do, the astronauts will be Chinese.


Friday, October 19, 2018

FIRST MAN? HOUSTON, WE HAVE A PROBLEM


It should be no surprise to anyone who reads this blog that I’m a fan of movies about space. Space adventure, like Star Trek. Space horror, like Alien. Near-future space, like Gravity. Even space comedy, like Guardians of the Galaxy.

But I’m happiest when I’m in the theater watching truly inspiring space history: The Right Stuff; Apollo 13; Hidden Figures. What made these films not only interesting and watchable for space nerds like me, but among the most acclaimed and well-loved movies for audiences at large, is that they made the heroes and heroines of the American space program known to us as real people. Those high flyers we had only seen in glossy magazine photographs, or blurred images from impossibly far away (or not at all, in the case of the NASA “computers”) solidified into human beings in those films, thanks to the actors and the filmmakers.

The real first man on the moon, Neil Armstrong, in 1969.
Not so, I’m sorry to say, for the latest film biopic of astronaut Neil Armstrong, First Man. Even the formidable acting skills of Ryan Gosling as Armstrong, first man on the moon, are no match for the post-modern, emotionally-detached filmmaking style of Damien Chazelle (LaLaLand). Instead of coming across as a strong-but-silent type trying desperately to hide the pain of the loss of his young daughter from cancer early in the film, Gosling too often goes through his scenes like an expressionless zombie. Claire Foy (The Crown), as Armstrong’s wife Janet, is normally solid, but here she overbalances on the shrill side in a vain attempt to get some reaction out of her partner.

I don’t blame the actors; I certainly don’t blame Armstrong, because I don’t believe for a minute that he was that kind of guy. I blame Chazelle, and this recent tendency to remain distant from the subject that is overtaking film. The camera may close in on its subject, but it remains emotionally at arm’s length. Even though we see Armstrong at his most private, vulnerable moments, it is though we are  mere flies on the wall, unable to empathize. Point of view, in fact, is a problem here. It really should be Armstrong’s film, from his POV. We should feel his emotions, but we never do.

There are times when this lack of POV works like the cinema verité of old and serves the film well. When we’re in the cockpit of an X-15 going beyond the stratosphere, or in the Gemini capsule being launched into space. When something goes wrong after docking with a second (unmanned) vehicle in space and both capsule and docking cylinder start spinning out of control. And—most spectacularly—when Armstrong and Aldrin land on the moon.

In those moments we in the audience can truly feel as if we are there. Those jolts of adrenalin alone may be worth the price of admission.

But we are soon down to Earth again, where we may be grounded for some time, searching for the inspiration to head into space again.

Cheers, Donna

Friday, August 31, 2012

RARE BLUE MOON SHINES ON ARMSTRONG MEMORIAL

Today a private memorial service was held in Cincinnati, Ohio for former astronaut Neil Armstrong, a member of NASA’s pioneering Apollo crew and the first man to walk on the moon. Armstrong died Saturday, August 25, at the age of 81, from complications of heart surgery.

Armstrong’s death came as a shock to those of us with emotional and intellectual ties to the space program and the dream of travel to the stars that his achievements represented. He had always seemed larger than life, though his friends and family assured us he was a quiet and unassuming person.

Today, the family issued this statement regarding ways to honor the man they've called a "reluctant American hero":

To everyone who has so graciously remembered Neil Armstrong:

The outpouring of condolences and kind wishes from around the world overwhelms us and we appreciate it more than words can express. Many have asked if a memorial has been designated. If anyone wishes to
make a memorial in his name, we suggest, in lieu of flowers, memorials be sent to one of these worthy organizations:

Cincinnati Children's Hospital Medical Center
Neil Armstrong New Frontiers Initiative
PO Box 5202
Cincinnati, OH 45201-5202
www.cincinnatichildrens.org

Telluride Foundation
Neil Armstrong Scholarship Fund
620 E. Colorado, Suite 106
PO Box 4222
Telluride, CO 81435
www.telluridefoundation.org/index.php?page=donate-here

The American Institute of Aeronautics and Astronautics
Neil Armstrong Scholarship Fund
AIAA Foundation
1801 Alexander Bell Drive
Suite 500
Reston, VA 20191
www.aiaa.org

The family made one additional suggestion of a simple way to remember the first man who walked on the moon. "Honor his example of service, accomplishment and modesty, and the next time you walk outside on a clear night and see the moon smiling down at you, think of Neil Armstrong and give him a wink."

Tonight will be the perfect night to do just that, with the blue moon shining above wherever you are. This blue moon, a second full moon in the same month, is the first since December, 2009. There won’t be another until July, 2015. So take a http://www.blogger.com/img/blank.gifmoment and reflect—on one man’s accomplishments on July 20, 1969. On humankind’s possibilities in the future if we would only be brave enough to follow him.

Donna’s Journal

While the dog days of August have New York's agents and editors in thrall, I’ve been working on revamping my website. I’ve moved my martial arts information to a separate website (http://donnafrelicksensei.com) and added a new page just for excerpts from my work. Check out my new look at http://donnasfrelick.com.


Cheers, Donna