I have some very smart friends. You might even
call them experts, in a wide variety of fields. And that’s lucky for me, a
writer and jack of all trades, but master of none. When I set out to write a
story that requires knowledge of something about which I know little—kidnapping,
say, or psychiatry—a Google search will only get me so far. Good thing I happen
to know the right people.
Let me say right here that I believe the old
saw “write what you know” can only be interpreted to mean “if you don’t know,
you better find out”. The world of SFR would be a bleak one if we only wrote
about what we had really experienced. None of us have actually been in space, after
all, and I doubt seriously that any of us have encountered an alien in real
life. In speculative fiction of all kinds, imagination must stand in for actual
life experience. That doesn’t mean our stories shouldn’t be based on some kind
of plausible scientific theory or grounded in solid human emotional behavior.
That is what we should know before we write.
On the other hand, if you propose to write
about organizations or cultures or norms here on Earth, best know what you’re
writing about. So, research. And friends with experience.
This isn't me, but, well, you get the idea--ask. |
The experts I go to for help with my novels
are separate from my wonderful (and very patient) critique partners (thank you,
Laurie and Sharon!). Critique partners or beta readers are there to make sure
your writing is on track—characters consistent,
plot holes filled, pacing lively. It’s not your editor’s job, either, to notice
if your psychiatrist hero is crossing the line with his patient, though a good
one might pick it up.
No, for that you need someone who knows about
psychiatry. For my first book, Unchained Memory, Interstellar Rescue Book 1, in which the plot revolves around a psychiatrist and a woman with
memories of alien abduction, I had to know just how far I could push their
attraction while she was still his patient before it became unethical.
Fortunately, my good friend Joyce was a psychiatric nurse for forty years. She
read the manuscript, gave me advice and sent me material to read. Her feedback
was invaluable, and is definitely the reason I’ve had very few objections to
the story on that point over the years.
In Trouble in Mind, Interstellar Rescue Book 2,
an FBI agent must team up with a half-alien tracker to solve a kidnapping here
on Earth. Before I started, I needed to know all sorts of details about FBI agents—what
kind of guns they carried, how they operated in the field, what resources they
would rely on, etc. (Believe me, it’s tempting to think we know all this from
watching cop shows on TV, but we don’t.) So, I sat down with my friend Robert, a
former FBI special agent who had worked in the unit responsible for
investigating kidnappings, and he gave me the lowdown. I learned, among other
things, that kidnappings perpetrated by a stranger are rare in the U.S. That
chilling factoid led to Ethan being considered a suspect for part of the book.
Fools Rush In, Interstellar Rescue Book 3,
is set entirely in space, but I still needed some “expert” advice. Laurie did
double duty here, reading the manuscript both as my critique partner and as my
space tech advisor. Mostly she had to keep reminding me not to bleed Star Trek all over the pages.
In my latest WIP, Not Fade Away, Interstellar Rescue Book 4, my heroine is a nurse who works with the elderly father of my
Rescue agent hero. She has a dog who accompanies her, working as her partner. I
had originally envisioned Happy as a formally trained therapy dog, but I needed
him to do some things plot-wise that are uncharacteristic for that kind of
animal. My canine expert friend Beki pointed this out, requiring me to do some
rethinking. Happy is on his way to becoming a companion dog with a talent for
cozying up to old folks, but a dislike for my heroine’s mean ex-husband.
I hope that’ll work. Because, of course, if
you ask for expert help, you should take the advice you’re given. Even if it’s
sometimes painful.
Cheers, Donna
Ohhh, space tech advisor. I haz a promotion. :D
ReplyDeleteGreat article, Donna. Even when we create far-flung fictional worlds, there's still a lot we have to get right in the story, whether it's the military aspects, investigative procedures, or what a dark nebula might look like.