THE TOMORROW WAR: ALIENS IN OUR FUTURE

The Fourth of July here in the U.S. marked the official kickoff of summer movie blockbuster season. And whether they’re brave enough to visit your local multiplex, or still watching at home, there’s plenty to keep science fiction fans occupied.

Like a battle with aliens in the future in THE TOMORROW WAR, now showing on Amazon Prime Video. This SF monster mashup is steered by LEGO movie franchise director Chris McKay, written by DEADFALL’s Zach Dean, and stars Chris Pratt, veteran actor J. K. Simmons, Yvonne Strahovski (Handmaid’s Tale), and a host of talented Black actors who miraculously do not die in the first thirty minutes! THE TOMORROW WAR, an alien-blasting actioner with a surprising amount of heart, was originally filmed for the big screen by Paramount and Skydance Films, but its release was delayed due to COVID, and the film was sold to Amazon for $200 million for a small-screen debut this past weekend.

This film is fun in a lot of ways, but I have to start by saying its founding premise has holes big enough to fly a spaceship through. Few SF writers or filmmakers get time travel right, and this one is no exception. Here we are expected to believe that 30 years in the future, bloodthirsty aliens have invaded the Earth and humanity is losing a war with them, to the extent that only 500,000 humans remain to fight the good fight. Our descendants discover a way (don’t ask for details) to go back in time to the present to recruit some of our billions of inhabitants to fight for them/us.

At first, they just take military troops, but even all the world’s armies aren’t equal to the challenge. So, a worldwide draft is instituted to feed the war machine fighting the aliens. The term of service is a short seven days, but only 30 percent of those drafted come back, and those that do suffer from severe physical, mental, and emotional trauma.

The military gives their new recruits no training, not even a helmet or boots. Just sends them through a wormhole to the future to be “White Spike” (alien) fodder. There are other details about the time travel, but, as Jim Kirk always said, they’d only give you a headache. It’s only when you just forget trying to impose any kind of logic on the time travel aspects of this film and instead take it as a straight-up humans vs. aliens shoot-em-up, that THE TOMORROW WAR starts to rise above its B-movie status.

Chris Pratt, often the Everyman hero in these kinds of films, plays Dan Forester, an Army Special Ops veteran hoping for a career in chemical engineering but reduced to teaching high school chemistry to support his wife and young science-crazy daughter Muri. Dan is—inevitably—drafted to fight the aliens. He briefly considers dodging the draft, an act which would require his estranged father’s help to remove the tracking device attached to his arm. He hasn’t spoken to the old man (played with gritty gusto by J.K. Simmons) for years, blaming him for abandoning the family when Dan was a child. The elder Forester tries to explain he left due to the symptoms of his PTSD from Vietnam, but Dan will have none of it (or of the old man’s attempts to make amends and get to know his granddaughter). In the end, Dan resigns himself to his service, refusing at first to take any help from the man someone later calls “conspiracy Santa” because of his beard and off-the-grid wackiness.

Chris Pratt leads his team against the aliens.

The fight between father and son, and the emotional costs of battle that can extend across generations, is an unexpected theme running through THE TOMORROW WAR. When heroes are busy killing bad guys, no one thinks about the toll it takes on them once the fighting is over. Yes, we have serious movies that address the issue (THE DEER HUNTER, ZERO DARK THIRTY), but it’s a rare thing to see a blockbuster film aimed at a mass audience devote screen time to the consequences of what we are all asking the heroes to do—that is, go out there and face the uber-violent monsters.

At one point, the heroine, Colonel Muri Forester (yes, that Muri Forester, as an adult, played by Polish-Australian actor Yvonne Strahovski) explains the aliens’ motivations: “They have no use for prisoners or government, technology, money... nothing. We are food. And they are hungry.” So you can imagine what it must be like to fight them and what kind of scars that leaves.

And, it turns out, [spoiler alert] when Dan meets his grown daughter in the future, now the kickass commander of the anti-alien fighting forces, she is aloof and cold. Eventually the truth comes out—when he’d returned from his draft service, he’d been unable to readjust to civilian life. He’d abandoned his family just as his own father had—and for the same reasons. Yikes!

That’s the most surprising element of the plot, though not by any means the only one. Of course, we have the usual “assembling of the team” aspect that is common to any action film. But in this case, the team includes a higher than usual percentage of Black, female, and older members.  Edwin Hodge and Sam Richardson stand out, as does Alexis Louder and Mary Lynn Rajskub (of 24). All these actors last longer than you might expect, as does big-bodied actor Mike Mitchell, and all are given worthy deaths when the time comes.

In the opposite corner we have the aliens, called White Spikes due to their nasty habit of shooting bone darts at their human opponents (not to mention their ripping teeth and their tentacles and their ungodly speed and their swarming numbers!). Not only are these some creatively creepy ETs, they’re some sneaky ones, too. In one of the film’s best twists [more spoilers], they didn’t just arrive in a fleet of spaceships one day and land on the D.C. Mall. They crash-landed into a glacier in Russia circa 1000 A.D. as cargo on a ship hauled by some other species a la ALIEN. Were they meant to be a planet-clearing weapon? Prisoners? We’ll never know, because the pilot of the spaceship died and, of course, no one is looking for a ship’s log.

Global warming eventually thaws the White Spikes out of their icy crypt, allowing them to spread undetected until it’s too late to stop them. They overrun the Earth, destroying humans, livestock, wildlife, and the lot, until, desperate, the last of humanity calls on the past for help.

I won’t tell you how the heroes come up with a plan to save the world. But I will tell you that the last 30 to 45 minutes of the film are exciting, ridiculous, glorious fun. And the solution won’t make your head hurt!  Yay!

Not only that, but the emotional ending of the film for Dan and his family is just as satisfying. Yay, again!

Yes, THE TOMORROW WAR may be too long and derivative and full of plot holes and we probably won’t remember it as a classic of the genre. But the aliens are memorable, the human characters are diverse and substantive, and the subplots are twisty and surprising. Do we really need more in our summer blockbusters? I think not. Spend some time with your popcorn and a beverage in front of this one. You won’t regret it.

Cheers, Donna