After finishing writing a series of blog posts about my
latest travels, which you'll find on my own blog, should you be interested,
it's time to get back to the business of writing that new story I'd started. I re-read what
I'd written so far, and confirmed that I need to think about the plot a bit
more, and that got me to thinking about the business of writing.
My first novel, a historical fiction story about the wreck
of the Dutch merchantman Batavia in
1629, was published in May 2010. It was almost a year later that my first SF
story hit the ebook stands. That was The
Iron Admiral: Conspiracy. I've got nine full novels under my belt now, and
a number of shorter works. Have I learned anything on this journey? I hope so.
Here's some advice I might have given to my younger self, or anyone starting on this journey.
The story's the thing
Sure, grammar and spelling matter. They are the
storyteller's stock in trade. There's a big difference between "let's eat
grandma" and "let's eat, Grandma". "We drug the body to the
river bank" will toss me out of the story, and it's surprising what
something like ["I think we should go now." He said.] does to the
reading flow. Even so, if the spelling and grammar are flawless but the story
is boring, as an author you've missed the point.
Genre is a marketing ploy
I was just reading an article
about 'literary horror' books. It's worth reading the first section for
the author's attempt to answer the question 'what is horror?'. Here at space
freighters we often ask ourselves 'what is science fiction romance?' and find
ourselves trying to define a relationship between two genres. Sometimes the
discussions over those definitions can get downright acrimonious. But at the
end of the argument, it's whatever takes your fancy. If, as an author, you want
to write about sexy times in a spaceship, so be it. You'll have an audience. If
you want to write a mystery story with a romance arc thrown in, you'll still
have an audience. Write what you're comfortable with. But bear in mind if your story fits (sort of) into more than one genre, you will cop criticism from multiple sides. In the case of SFR, you'll be caught between the twin horns of not enough/too much romance and not enough/too much science fiction.
What readers think is none of your business
There's so much finger-pointing, so much mocking. You've
heard the knockers - E.L. James's FSoG is rubbish. J.K. Rowling can't write.
Dan Brown's books are awful. But that's
just somebody's opinion. Books are the simplest of virtual reality devices.
They take a reader out of the here and now and take them somewhere else in
space and time. But what works for some readers doesn't work for all readers.
So be it. There's no point in getting your authorial knickers in a knot over it,
which is why I hardly ever read reviews of my books. (Taking advice from
trusted beta readers is another thing altogether.) I can't afford to get my
skin Teflon-coated, and I'm not going to change my books to suit a subset of
readers. If they don't like my stories, there are plenty of other books out
there which may be more to their taste.
Editing advice is not always worth taking
Remember Authonomy? You loaded at least ten thousand words
of your opus onto the site, and invited other would-be authors (and a very few
readers) to comment on your work. You'd get several opinions, some undoubtedly
contradictory, about your first three chapters, offered by 'experts' who knew
as much about writing as you did, and quite often, knew nothing about the genre
your book fitted into. I was there, happily giving advice to anybody who wanted
it. After all, I'd done three
novel-writing courses, so I knew of what I spoke. Don't use adverbs, be careful
with the adjectives, passive voice is a no-no, trawl through for 'that' and
'was', watch out for point of view, don't use prologues. These days I take the
wise wizard's approach to doling out advice, which is to avoid doing so at all costs. Every author has his/her own
style. Some I simply don't like to read, for example, first person present POV. But that's just me. Some people love it. If I'm beta reading for somebody, I might point out typos or grammar
errors, but my main role is simply, does the story work for me? If I think
something is confusing, or missing (in my opinion) I point it out and let the
author fix it – if the author agrees it needs fixing. Oh – and giving advice on ONLY the first
three chapters has limited value. When it's out there, the whole book has to
stand, not just the first three chapters.
Watch out for con artists
The writing business, especially with the advent of
self-publishing, is rather like a gold rush. Everybody thinks they'll make a
motzer out of their first novel. Not that one? Then maybe the next one. Not
that one? But if I get a few more books out there, I'll have a back list and they'll
start to read them all…
Somewhere else, a clever brain realises there are
opportunities to be had. Just like at the goldfields, where the fellow who sold
shovels and wheelbarrows, or the couple who built a rudimentary pub, or the
Chinese family who created a market garden – all these people would probably
earn much more than the miners, of whose number only the lucky few would strike
it rich. As an author, you'll find plenty of (paid) marketing opportunities,
some useful, some not. Some competitions are worth the entrance fee, others
have no real credibility. Some boxed set opportunities may be worth your time,
others are just a con.
Here's some advice – join a group of like-minded authors,
such as the SFR Brigade, where these opportunities are discussed and evaluated,
giving you a chance to make an informed opinion. And you'll have willing shoulders to cry on if you need some support.
There's nothing wrong with giving up
For the vast majority of people, writing is a part time
thing they do in between kids, jobs, and life. Some people feel compelled to
write. Fine. Write. But if your lack of success is getting you down, if you're
getting depressed because you've realised you haven't caught the public
imagination like J.K. Rowling did, then don't feel you have to keep doing the Sisyphus thing. Find something else that makes
you happy. If you're one of the 'never give up' crowd, that's okay, too. If you
do give up and later you want to try again, that's fine.
Remember, life is not a dress rehearsal. You'll never get
another go at it, so do what works for you.
And here endeth the lesson.
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