Discovering Firefly

Last week a friend loaned me the entire series of Firefly on DVD. Okay, so I'm a bit late to the Browncoat party, but with at least one of my Spacefreighter buddies being a fan, I felt I ought to look it over (and I rarely pass up the chance for scifi). I'd seen Serenity and enjoyed it. So, what did I think?
I'm disappointed there was only one series. The first season of anything generally only gives you an introduction to the characters and the universe. What I saw promised so many more storylines to come. Frankly I didn't warm to Captain Mal all that much, but compared to the film I felt his strange code of...honour?...probably had some explaining to come. The story with Simon and River had barely got started - again, I'm assuming the development of that might have appeared in summarized form in Serenity. In fact, I get the impression that Serenity was pretty much a super concentrated story arc that should have covered at least three seasons of Firefly had it got that far (Browncoats, please feel free to put me right). My impression of Firefly? Whedon took the frontier history of the US and thrust into space. That works fine for me. Breaking into new territories whether a new continent or new planets is going to follow a parallel. I liked the overall grungy, almost steampunk feel of the ship - again, like current society you'll have the rich, poor and primitive sectors same as modern cities and countries. I liked that it wasn't all high tech gadgets and laser blasters. My one issue with all the Star Trek series has been the almost utopian overall feel with sparkly smart spaceships and laserbeam phasers. Loved the galactic language, although I'd have liked a transalation. I'm guessing it was Chinese (or based on it). I've used a universal language in several stories although in my earlier works (and the UK scifi comedy series Red Dwarf) Esperanto was used. Again, ST translators always seemed too pat - anyone who has used something like Google translate will know how iffy that kind of program can be. The hospital on Ariel struck me as odd - considering they could rearrange someone's brain, why were they still conducting heart bypass and cracking open someone's chest to do cardiac massage? Some aspects of this projected future didn't quite gel for me.
Characterwise, the sexual tension between Simon and sweet, naive and yet tech savvy Kaylee, and between Mal and Inara had me screaming at the TV (and on Twitter). So I must have enjoyed it. I cannot, however - spoiler alert - forgive Whedon for killing off Wash. Him and Zoe were my fave couple in the series. And Jayne? Well. He didn't pretend to be anything he wasn't, and with that name I can understand his 'tude. Jaynestown showed he had some conscience, albeit a warped one. And being as Jayne is my middle name (that's where 'Jay' comes from) I still had a soft spot for the dude. River's chaotic nature just put an edge on the whole thing with never knowing what she might do next, although I think it was carried off better in Serenity.
Overall I enjoyed this but couldn't really invest myself in the series, knowing there's no more to come. Which is a gorram shame...

Additional - After a furore on Twitter over Kickstarter funding for a Veronica Mars film, the immediate aftermath was - why doesn't Joss do that for Firefly?! Well, you can read his response here.

Action!

Well, Entangled's new, shiny submission process did deliver on its promise of a four week response time. Unfortunately for me it was a no. However, Tethered is still with the original publisher I submitted to, although it'll be mid April at the earliest before I hear from them. In the meantime I'm researching other publishers.
Flaming Angel, a scifi short for an in-house anthology call, is still being tweaked. With the next school holiday in less than two weeks, I really want it gone, even though the final submission date has now been extended. I haven't done much on the writing front due to some real life stuff, but I'm hoping to finish my cyberpunk short for the Sword and Laser anthology before the school holidays too.

Discoveries

A great post by Allan Douglas on exotic space propulsions. It's something I've been reading up on more, to use in my books. Although I've vaguely picked up on varieties of inter- and intra-stellar transportation, I've kept the detail light because my scientific knowledge is shaky. But I want to improve it. So for anyone just starting to think about space travel for the first time, go here.
The Dee Mura Literary Agency have a new agent - Kaylee Davis - and she's looking for science fiction, among other things!Take a look here.

Happenings

The Rites of Spring Blog Hop is on, celebrating firsts. I'm sharing Keir's first kiss, with a $5 gift card and a copy of Terms & Conditions Apply as my giveaway. The Grand Prizes are a Kindle Fire and a $50 Amazon gift card!Go here!
There's no Cover Love post this week, also due to the hop, but you can still check out Jessica Subject's post here. The next post is fantasy covers with UF author Chantal Halpin.
Next week I'll start posting details for the SFR Brigade's second blog hop, with a theme suggested by Greta van der Rol - Out of this World. Watch out for the info!

Bookshelf

My review of Neal Asher's Zero Point (hard scifi) is now live on the Fantasy Book Review site here. At the moment I'm reading Revenge of the Mad Scientist by Lara Nance (steampunk). There's no Read Only Wednesday this week due to the Rites of Spring Blog Hop, but the following week will be Downside Girls by my big favourite Jaine Fenn (scifi/space opera).

DVDs

I have Space Above and Beyond as my next scifi series to catch up on.

Ping Pong

Laurie, great posts on sitting out the GH and your agent interview. Thanks to Amanda for her contributions.

To Space With the TechNerd Brigade!

How about a little hope for the New Year?

The effort to keep the U.S. competitive in space may be showing new life thanks to a friendly race between multi-millionaire tech geeks. Microsoft co-founder Paul Allen is the latest to join the private space technology scramble, bankrolling the design and construction of the widest airplane ever built to carry a new commercial spaceship high into the atmosphere. From there the ship would blast off into orbit using a booster rocket, a method that saves fuel (and money) over conventional rocket launches. The spaceship could hold as many as six people.

Allen is working with aerospace pioneer Burt Rutan on the project. Space Exploration Technologies, a company owned by Paypal’s Elon Musk, will provide the space capsule and booster rocket for the venture, called Stratolaunch. Together the airplane-and-booster system represent “a radical change” in how people can get to space and it will “keep America in the forefront of space exploration,” Allen said.

Allen and Musk are not the only cyberspace tycoons with an interest in space exploration. One of Allen’s chief competitors is Jeff Bezos of Amazon.com Inc., founder of the private space company Blue Origin. Blue Origin received $3.7 million in NASA funds to develop a rocket to carry astronauts. However, its initial flight test ended in failure last August.

What is fascinating is that Allen freely admits he is following a childhood dream:
“When I was growing up, America’s space program was the symbol of aspiration . . . For me, the fascination with space never ended. I never stopped dreaming what might be possible.”

For those attracted to difficult technical challenges, space is the ultimate challenge, he said. “It’s also the ultimate adventure. We all grew up devouring science fiction and watching Mercury and Gemini, Apollo and the space shuttle. And now we are able to be involved in moving things to the next level.”

For a writer, what is truly wonderful about that statement is that Allen so easily equates the dream with the reality, science fiction with science fact. If you can dream it, you can make it happen. If you have the will.

Of course, ceding the domain of space to private enterprise has its drawbacks, and science fiction has envisioned that future, too. The Space Merchants, by Frederick Pohl and C.M. Kornbluth, the ALIEN movies and other examples too numerous to mention have warned us of the dangers of letting profit drive the exploration of space. But these men seem at least as motivated by a sense of wonder as by the lure of any possible riches to be made out there. They are willing to go where our government is so far unwilling or unable to go.

So, good luck, fellas. You’ve found a much better way to spend your money than collecting cars and villas. May you live long and prosper and get us where we all want so much to go.

[Information for this post based on an article by Donna Blankenship and Seth Borenstein, Associated Press; photo courtesy Stratolaunch Systems.]

Donna’s Journal

Action!
Actions we've taken as writers. Where are we? What are we doing?
Those of you who are involved in trying to sell the written word in any way are well aware of the state of disarray in which the publishing industry currently finds itself. Agent Elaine English, speaking to the December meeting of the Virginia Romance Writers, suggested that this may have been the most disruptive year in publishing since Gutenberg.

English, who owns and operates her own agency in Washington, D.C., explained that with the rise of digital publishing, the legitimizing of self-publishing, the decline in traditional print book sales and the scramble for profits, no one in the industry is quite sure what to do. No one wants to make the wrong move, but at the same time, no one wants to be left behind. The result is a kind of paralysis in some quarters and furious change in others.

A few things do seem to be clear, according to English: the so-called “legacy” publishers are increasingly conservative, leaving new writers or slow sellers out in the cold. On the other hand, new opportunities with digital publishers or self-publishing are rising for those writers as e-publication in all its permutations becomes more respectable. Self-pubbing is no longer the dirty word it once was. However, anyone going that route had better be very savvy of the production, promotion and sales work required to make a go of it.

Those seeking publication with established digital presses should be aware that the contractual process is more complicated than it used to be, with both more rights and longer terms being sought than just a few years ago. English, who is also an attorney familiar with publishing law, suggested hiring an experienced attorney to review your contracts, even if you don’t have an agent working for you full time.

English spoke to the largest gathering of writers ever for a VRW Christmas luncheon. At one point she commented that she admired us for our perseverance in the face of all these obstacles, wondering, “Why do you keep doing this?” Most of us could only shake our heads. As Harlan Ellison once put it, we write because we can’t not write. It’s a curse.

Or a blessing.

Merry Christmas, Happy Hanukkah, Happy Kwanzaa

And Happy New Year—I’ll be back in 2012!

Donna