Monday, March 7, 2016

Escapee Cover Reveal and Guest Blog

Escapee -- The African Queen in Outer Space

A science fiction romance by Edward Hoornaert, author of Alien Contact for Idiots.

 
Cover by Eerilyfair Design 

Catt Sayer, an abused peasant and a fugitive from justice on her home planet, makes a meager living flying a decrepit airship that delivers supplies to scattered military bases on an isolated, inhospitable mining moon.  When enemies invade the moon and destroy the bases, Catt rescues the lone survivor—Captain Hank Dukelsky, an upper-class army captain.  Now Hank wants her to risk her life on an impossible quest to attack the enemy headquarters…and Catt is falling in love with both the man and his magnificently quixotic ambition.
 

Escapee is available for pre-sale, with a release date of April 19, 2016. Rediscover the thrills and romance of one of the all-time great movies, now in a science fiction setting—reserve your copy of Escapee today.


 Making Escapee

My upcoming SFRom novel, Escapee, is coming out in early 2016 from MuseItUp Publishing out of Montreal. The book is unabashedly based on the 1951 movie, The African Queen.

My version is set on an inhospitable moon, rather than the African Jungle, but in both tales the hero and heroine battle nature and, ultimately, the invading enemy.

How did I transform a movie into a science fiction romance? So glad you asked.

Analyzing the movie I rented the movie and looked for two things:

• Stages — Charley and Rosie’s relationship go through a number of stages.

• Turning points — The events that caused their relationship to change from one stage to another.

I then devised analogous — but subtly different — stages and turning points for Escapee. Here are a few of them, so you get the feel for how the analysis worked.

Stage 1: Polite disconnect between hero and heroine.

• AQ — Rosie, a missionary in German East Africa, disapproves of Charley, a crude freighter captain who brings supplies, but treats him with chilly politeness.

• Escapee — Hector, a stuffy career army officer, disapproves of the freewheeling, lower-class airship pilot, Cattaroon who supplies his base.

Turning point: The enemy invades.

In AQ, it’s the Germans, who leave Rosie alone and stranded — until Charley comes by and saves her.

In Escapee, it’s humans from the Proxima system. While Hector’s on leave, they destroy his entire command, leaving him stranded and alone — until Catt lands, looking for survivors.

Stage 2: Rosie devises a near-impossible goal that he doesn’t agree with.

• AQ — Rosie’s wants to attack a German warship. Charley agrees, knowing she’ll give up when she learns how dangerous the river is.

• Escapee — Hector wants to attack enemy headquarters. Catt agrees only because she’s certain he’ll give up when he realizes how dangerous a flight across the moon is.

So far the two stories are very similar. Now they start to diverge, though the skeleton remains the same.

Turning point: When mild danger fails to deter her from her purpose, his true feelings come out explosively.

In AQ, after shooting rapids doesn’t deter Rosie, Charley gets drunk and insults Rosie. She dumps out all his rum.

In Escapee, after getting caught in a volcano’s updraft doesn’t deter Hector, Catt sabotages a cannon stored in the airship’s hold.

Stage 3: Futile attempts to rebuild a civil relationship.

• AQ — Charley apologizes for insulting her, but she won’t accept his apology unless he agrees to take her to the Germans’ ship.

• Escapee — With the cannon gone, Hector realizes how futile his quest is. Feeling guilty, Catt tries to be nice, but he’s too depressed to talk about it.

Turning point: He agrees to share her goal.

In AQ, Charley’s (deeply buried!) chivalry makes him give in.

In Escapee, Catt remembers all the friends whom the enemy has killed. Hearing her cry during the night, Hector finally talks, voicing his idealistic reasons for wanting to fight. Inspired by his idealism, Catt agrees to make the dangerous voyage to the other side of the moon.

Stage 4: Falling in love

Etc, etc.

“Inspired By”, Not a Ripoff

I won’t bore you with all six stages, but hopefully you get the general idea. Analyzing the movie turned out to be a huge help in developing my plot. You ought to try it some time.

I’d like to emphasize that Escapee is not just a blatant ripoff of the movie. In addition to being science fiction rather than historical drama, here are some of the key differences:

• Although both environments are hostile, they’re different — river rapids vs. hurricanes and volcanoes.

• The characters are very different. The genders are reversed, for one thing. Their wounds are very different, as are the lessons they need to learn.

• I added secondary characters:
> They capture an enemy who tries to sabotage the airship.
> Hector has an alien pet that is ugly/lovable.
> Catt’s android co-pilot provides comic relief as well as the book’s most poignant scene, when he dies.

• The ending is more believable, IMHO. AQ’s ending requires an act of God (a rainstorm that floats their grounded boat) and a wild coincidence (their sunken boat nonetheless sinks the German ship).

Escapee has a logical ending. If you have a favorite movie you love, you might want to turn it into a book of your own. If so, consider analyzing it for stages and turning points.

About Ed Hoornaert


What kind of guy writes romance? A guy who married his high school sweetheart a week after graduation and still lives the HEA decades later. A guy who’s a certifiable Harlequin hero—he inspired Vicki Lewis Thompson’s Rita Award finalist Mr. Valentine, which is dedicated to him. 

Ed started out writing contemporary romances for Silhouette Books, but these days he concentrates on science fiction romance. He’s been a teacher, principal, technical writer, salesman, janitor, and symphonic oboist. He and wife Judi live in Tucson, Arizona. They have three sons, a daughter, a mutt, and the galaxy’s most adorable grandson. Visit him at http://eahoornaert.com.

Friday, March 4, 2016

AN SF REALITY CHECK AT BROWN MOUNTAIN NC


It’s a little creepy when real life begins to reflect your writing. Especially when you’re a science fiction writer.

I don’t mean in the realm of technology, like when the news hits that scientists are actually working on the concept of a matter/antimatter space drive that could send a probe to Alpha Centauri in a mere 40 years. I mean more like “evidence” of something that looks a whole lot like alien abduction going back hundreds of years at a place right in your new backyard.

I wrote a short story last spring for a yet-to-be-published Spacefreighters Lounge anthology. In it I described  aliens harvesting humans out of a rural county in West Virginia with the help of local collaborators. They regularly “took delivery” of their victims in an old hayfield on a remote mountain ridge. The evidence of their presence was the blinding light of their dematerialization beam, which must have looked like sheet lightning from a distance, or maybe something stranger from the base of the mountain.

Since it was a short story I never really investigated how folks would have interpreted those lights. I focused on the disappearances of a number of ne’er-do-wells, party girls and other less desirable members of the community and a deputy sheriff who was the only one interested in finding out what happened to them.

But imagine my reaction when I overheard someone in my new hometown of Marshall talking about very similar lights and disappearances from the top of a ridge called Brown Mountain in Burke County, North Carolina, not far from the famous tourist attraction of the Linville Gorge. From the days of the Cherokee, people have been seeing mysterious lights there, some way off across the deep ravine at the base of the mountain, some in the sky above the ridge, some even as close as an arm’s length. Some are round and softly glowing, some streak across the sky “like an angel’s crown,” in the words of an old folk song recorded by artists as divergent as The Kingston Trio and Roy Orbison.

Beaming up?

Strangely, whenever the lights appear, people disappear. In some legends, just a hunter or two (and their dogs); in others, slaves from a search party sent after their lost master; most recently, 27 campers at a local campground, including three police officers, in October,  2011.  And if that’s not bizarre enough, in September, 2013 a couple reported to an Asheville NC newspaper that they had been attacked by a UFO while watching the lights at Brown Mountain. Yes, you read that right. The UFO actually came and sat on top of their car, damaging it. The sheriff’s department confirmed the car’s damage. No speculation as to the aliens’ motivation or intent.

There have been two investigations of the Brown Mountain Lights by the U.S. Geological Survey which have tried to explain them as ball lightning, airplanes, forest fires and other normal phenomena. The area also made the U.S. Air Force’s infamous Project Blue Book study of UFOs and other alleged extraterrestrial activity in the Fifties. The Blue Book investigators listed the Lights as “unexplained.”

I don’t know about you, but I’m not packing up my camera to head over to Brown Mountain. The only aliens I really want to see are the ones in my head.

GIVEAWAYS STILL ONGOING!

Whatsamatter, friend? Life got you down? Haven’t won anything in ages? Well, here’s an easy one! Just COMMENT below for a chance to win EITHER a FREE KINDLE COPY of Trouble in Mind  OR a FREE AUDIOBOOK of Unchained Memory to enjoy while you drive, work out or lounge in the bubble bath! Winner will be announced next Friday!

AND, don’t forget, you still have a chance to win a $50 Amazon Gift Card through my Rafflecopter Giveaway until the end of the month! Enter here.

 Cheers,
Donna






Thursday, March 3, 2016

We have a cover - Eye of the Mother

My wonderful cover designer at Dreams to Media has come up with a great design for the new story.
Here it is.


Typical Greta van der Rol - space, spaceship. No people. But this is a romance.

Here's the blurb



The echoes of a distant star's destruction reverberate across the galaxy.

If Brent Walker doesn't get off Namrod Space Station before midnight, he'll lose his ship. The clock's ticking, but when he comes across a woman being assaulted he does the only thing he can do – he rescues her.

Tian's grateful for Brent's intervention but she's an Imperial agent with a job to do and no time for messy emotional entanglements. Tian must find out what the mysterious symbol means, and why it heralds death, before the tensions between Yrmaks and humans escalate into xenocide. Business as usual is tempered by growing trust and affection between them even when she and Brent are drawn into a murky world of murder and deception where nothing is necessarily what it seems. Not even Tian.


Could love find a way? Perhaps. But sometimes there's more to lose than life itself.

And a short excerpt


Tian connected to the comm system, non-verbal only. A few minutes later a response returned. She moved to the nav system, entering in a set of coordinates. The nav screen shifted, showing the point she'd entered as a glowing dot. 

"That's a few days away," Brent said.

"Yes. Are we okay for air and supplies?"

He considered. He'd picked up extra supplies while Tian was away at the university, it should be enough for three for a short trip. "We're fine for that. But… um…"

She cocked her eyebrows.

"He's in your cabin." They could share? No. dumb. "You can have mine."

But she was shaking her head before he'd finished. "I'm shorter than you. I'll manage in the common room."

Now he shook his head. "You can't sleep there. Look, what if we share? One of us is usually on the bridge. Sort of a hot bed arrangement." His face grew warm. He'd blushed, he knew he had. "I'm not there if you're there. You know what I mean."

"We can manage that." Her expression was inscrutable.

***

It'll be a little while yet. I'll be sure to let you know.


Tuesday, March 1, 2016

The #KindleUnlimited Conundrum (again)

And here we are, March already. The year is whizzing past (no complaint from me just yet as we speed into spring and say goodbye to the cold weather and shorter days). And as we go into March, those titles I had in Kindle Unlimited are coming back out (in fact, one already is as of 20th February).
A Superhero Romance Novella
Goodreads | Amazon inc KU

Print edition:
Amazon | CreateSpace | B&N
The Book Depository
A YA Zombie Novella
Goodreads | Available from...
Amazon inc. KU
                                                                                             
I have had such mixed feelings over KU, and mixed experiences. Last June I blogged about why I was taking my short stories out of it for good. Shortly after I put two of my novellas previously with Breathless Press into KU because they just weren't selling. Out of the two, one is regularly borrowed but not in significant numbers. It also doesn't seem to have got my work any more visible.

So this year I decided I was going to take my remaining titles out of KU, though initially so that I could put them all back in together in March to tie in with my next release - hot space opera short Quickshot - which I'd decided to start off as an Amazon exclusive. I wanted everything scheduled to be on the same time scale for KU. But then Amazon made more changes. Every month the payment fund for KU pages read has been going down. And last month they changed the page count for Kindle books, mostly cutting them. So now not only do I get less per page read, but according to Amazon I now have less pages in those books. It sucks.

I've never liked the whole exclusivity thing, which is why I've kept some titles wide. I know Amazon punishes those NOT exclusive by making their titles less visible. But when the terms for KU are constantly paying less and less for borrows, I no longer see any benefit in it. Quickshot is going Amazon exclusive for its launch as an experiment, but it'll go wide when the 90 days are up. My series books will always go wide. While Amazon accounts for about 90% of my sales and going wide will mean them making me less visible, I refuse to be paid less and less for my books. I'm not anti-Amazon, but I can see where this is heading, and I'm not playing any more.

Even though being exclusively self published means I now earn more per month than with a publisher, it's still not a basic wage. For those curious, I currently get about $40 a month (instead of per quarter, which was the most I ever earned with a publisher). That's not even a living wage, just a dollar a day. Certainly not a good return on the hours I put into each book, or the edits and cover art that's done for them! So I am job hunting later this year with the hope of being back to work in 2017. If working six hours a day, five days a week during term time isn't paying me a basic wage, then it's time to leave. Writing will go back to being a hobby as and when I can fit it in. I think I came into publishing about a decade too late.

This is not a call for sympathy or a rant. Just reality. Maybe I'm not doing enough to promote myself, but I've done what I can and it hasn't worked out. I love writing and I'd like to keep publishing, but I need to be contributing to my household and family, and writing ain't doing it. I'm proud of what I've achieved, so I have no regrets there. I just wish it was making me a decent wage.

So Quickshot will release Amazon exclusive at the end of this month, and stay there for 90 days to buy and to borrow. Then it'll go wide. My last scheduled release for this year will be Reunion in May, which will go wide right from the start. After that, the third book for Keir will release in 2017. I can't promise anything else...

A Space Opera Short Story
Goodreads | Webpage
Amazon inc KU 

Status Update

This is how I currently feel with my revisions and editing.


via GIPHY

Reunion is still in revision. I came down with a sore throat and earache at the end of last week, courtesy of the germs my little monsters bring home from school, and it's made me even less enthusiastic about working at the moment. I hope to finish this week though.
I have opened and begun edits on the June project, but only a handful of corrections at the moment, just as a break from Reunion. It's not top priority at the moment.
I also rewrote the ending to my Rebecca finalist Revived...for the third time. Or is it the fourth? I've lost track. I'm hoping I might be able to release it later this year, depending on finances and my editor's work schedule.

Chook Update
Our four new girls now all have names! From left to right we have Pitch, Fizzgig, Spaghetti, and Effie.

Ping Pong
Congrats to Laurie on becoming a full time author at last! Enjoy!

Pippa Jay signing off...